Frustrating Place to Work - Anonymous employee Austin Opera Employee Review

1.0
Sep 26, 2016
Anonymous employee
Recommend
CEO approval
Business outlook

Pros

The productions are great in artistic-quality & the performing artists they recruit are very talented. You'll get the chance to work with some great people on staff (however you may not get to work with these folks for long, for reasons described below).

Cons

-Board micromanages staff and is very vocal about their low opinions of staff members' worth and expertise (this is expressed repeatedly, in front of staff or even in front of donors where it is extremely inappropriate and demeaning), so staff morale is consistently low and the organization has a lot of turnover and burnout. -Management and the board do not trust staff to do their jobs and are very condescending, no management support of staff when it comes to board members. -The organization fires at least one person per season or per calendar year, making job security and confidence non-existent (new ideas aren't expressed when everyone always operates under the guise of keeping their head down to keep from getting fired). -Very High Stress environment, no prioritization, i.e. everything is top priority all the time. Management lacks focus so one is constantly running from one emergency situation to the next rather than an organized approach to performing your job duties. -Revolving door in Development and Marketing departments because of unrealistic expectations and too few staff members in each department. In addition, board and staff do not work together to achieve stated revenue goals (the opposite is usually the successful industry standard in the nonprofit sector), there is a very huge disconnect. -Board is more interested in hokey marketing tactics like flash mobs and small social medial events that result in minor traffic (and traffic is usually from people who already support the opera) and few of these efforts actually result in increased ticket sales or increased donations from new patrons or donors. -Not a family friendly working environment (unless you have a spouse who doesn't work or full-time live-in nanny), erratic schedule, and bad work-life balance. So if you have children, don't expect to get to see them (or your spouse) and to be admonished if you express concern about this issue. -Little attention is paid to actually making an effort to be part of the community with outreach or public engagement, education/outreach are seen as a burden rather than a necessary component of being a nonprofit in the Austin community. So little attention is paid to this area of the company and it shows. Ask most people in Austin and they're not even aware there's an opera company in Austin (for a company that's been around for 30 years). -Board is convinced no one in Austin is capable so they hire people from out of state, who have no local connections, yet they are expected to raise a lot of money in a short amount of time despite their lack of local connections. In addition, out-of-town recruits have no warning about this organization. -Inefficiencies everywhere (software, staff practices) and resistance to change of any kind in donor/board recruitment, marketing, fundraising, or community outreach.

Explore other reviews about Austin Opera

5.0
Dec 18, 2023
Recommend
CEO approval
Business outlook

Pros

Artist care is second to none, great fees, beautiful performing venue, high quality soloists

Cons

Only offer 2-3 performances per run per production.

1.0
Aug 18, 2014
Anonymous employee
Recommend
CEO approval
Business outlook

Pros

ALO puts on consistently great productions despite the economic recession. They attract wonderful artists, and provide a valuable art form for the community.

Cons

The board and executive leadership choose to remain firmly entrenched in years of tradition and refuse to change anything about the way they actually do things, making it more difficult for the current employees to achieve their assigned goals. This is unfortunately an industry standard for opera. The company wants to reach new audiences but is resistant to any changes that might make this possible. The ALO board has very little respect for the staff and is quite open about it (and there is no support for the staff from executive leadership regarding board relations), so consequently burnout, low morale, stress, and turnover are a recurring problem. The new ED is a great person and very enthusiastic about opera but is not a good manager; he burns employees out and has problems with boundaries (last minute requests after business hours with no advance notice and too little lead time, and then procrastinates to review or approve, no authority with the board and leaves staff out to dry, etc.).

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